{"id":171,"date":"2017-08-16T01:58:33","date_gmt":"2017-08-15T23:58:33","guid":{"rendered":"http:\/\/danaepanchaud.net\/?page_id=171"},"modified":"2017-08-19T16:22:00","modified_gmt":"2017-08-19T14:22:00","slug":"panel-under-the-influence","status":"publish","type":"page","link":"https:\/\/danaepanchaud.net\/index.php\/exhibitions\/panel-under-the-influence\/","title":{"rendered":"Panel: Under the Influence"},"content":{"rendered":"
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Teresa Hubbard \/ Alexander Birchler, Dead Cat on Movie Mountain, Sunset, 2011<\/figcaption><\/figure>\n

27.08.2011<\/strong>
\n Mus\u00e9e de l\u2019\u00c9lys\u00e9e, Lausanne<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

Having entered in the visual arts often in indirect or accidental ways, photography and cinema have now become in uential actors of the field, and in doing so have, sometimes significantly, transformed their own practices through contact with the visual arts and their institutions. Under the Influence<\/em> proposes to address the \u201ctrafifc of influence\u201d at work in the relationship between photography, cinema and contemporary art, be it from the perspective of the practices themselves, or of their inscription in an institutional context.<\/p>\n

While photography\u2019s and cinema\u2019s relationships with contemporary art often remain distinct, there is
\na commonality, or proximity, of topics and issues. Among them would be the questions raised by the irruption of the idea of image itself within the practices of artists using (or not) photography, video or lm, but also the dematerialisation of media and of production processes; the \u201cmusealization\u201d and theatralization of exhibition displays (\u201cphoto-tableau\u201d, video installations, black boxes, loops); the break-up of dissemination channels that were previously almost hermetic and the connate explosion of the possibility of formats (for instance cinema in the theatre vs. in the contemporary art institution\u2019s white cube, photojournalism published in mass media vs. exhibited in the museum); but also art as a refuge and catalyst of practices that were, this far, limited by the traditional means of distribution.<\/p>\n

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Entr\u00e9s dans l\u2019art souvent de mani\u00e8re indirecte, accidentelle ou d\u00e9tourn\u00e9e, photographie et cin\u00e9ma <\/span>en sont devenus des acteurs majeurs tout en transformant parfois significativement leurs propres pratiques au contact des arts plastiques et de leurs institutions. Under the Influence<\/em> propose d\u2019aborder ces trafics d\u2019influence qui traversent les rapports entre photographie, cin\u00e9ma et art contemporain, qu\u2019il s\u2019agisse des pratiques m\u00eames ou de leur inscription dans un contexte institutionnel.<\/span><\/p>\n

Bien que photographie et cin\u00e9ma entretiennent des rapports souvent distincts avec l\u2019art contemporain, certaines probl\u00e9matiques leur sont proches ou communes. Parmi elles: l\u2019irruption de la notion <\/span>d\u2019image dans les pratiques de nombreux artistes, qu\u2019ils utilisent photographie, vid\u00e9o ou cin\u00e9ma; la d\u00e9mat\u00e9rialisation des media et des proc\u00e9d\u00e9s de production; la mus\u00e9alisation et la th\u00e9\u00e2tralisation des dispositifs d\u2019exposition (photo-tableau, installations vid\u00e9o, black box, loops); l\u2019\u00e9clatement de canaux <\/span>de diffusion auparavant tr\u00e8s \u00e9tanches et l\u2019explosion connexe des formats possibles (par exemple, les films projet\u00e9s au cin\u00e9ma versus pr\u00e9sent\u00e9s dans le white cube du centre d\u2019art contemporain, le reportage publi\u00e9 dans la presse \u00e9crite versus expos\u00e9e dans les mus\u00e9es); l\u2019art comme refuge et catalyseur de pratiques limit\u00e9es par les moyens de diffusion traditionnels.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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With Alexander Birchler (artist, faculty member at Milton Avery Graduate School of the Arts – Bard College, New York), Emilie Bujes (independent curator and curator at Geneva\u2019s Contemporary Art Center), Eva Leitolf (artist, lecturer at University GH, Essen, and School of Photography, Vevey), Barbara Le Ma\u00eetre (faculty member at Research Institute in Cinema and Audiovisual Studies (IRCAV), Universit\u00e9 Sorbonne Nouvelle, Paris), Philippe-Alain Michaud (art historian, curator in charge of the film collection, Centre Pompidou, Paris)
\nModerator: Laurent Guido (associated professor and president of the Department of Film History and Aesthetics, University of Lausanne)<\/p>\n

Organised by NEAR, Swiss Association for Contemporary Photography, on the occasion of the exhibition Fellini. la Grande parade at the Mus\u00e9e de l’\u00c9lys\u00e9e<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

27.08.2011 Mus\u00e9e de l\u2019\u00c9lys\u00e9e, Lausanne Having entered in the visual arts often in indirect or accidental ways, photography and cinema have now become in uential actors of the field, and in doing so have, sometimes significantly, transformed their own practices through contact with the visual arts and their institutions. Under the Influence proposes to address […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":182,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-171","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":1,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/171\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/171\/revisions\/173"}],"up":[{"embeddable":true,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/182"}],"wp:attachment":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/media?parent=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}