{"id":622,"date":"2020-07-10T18:13:08","date_gmt":"2020-07-10T16:13:08","guid":{"rendered":"https:\/\/danaepanchaud.net\/?page_id=622"},"modified":"2024-04-08T12:02:24","modified_gmt":"2024-04-08T10:02:24","slug":"articles-and-essays","status":"publish","type":"page","link":"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/","title":{"rendered":"Writing"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"766\" src=\"https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1-1024x766.png\" alt=\"\" class=\"wp-image-1093\" srcset=\"https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1-1024x766.png 1024w, https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1-300x225.png 300w, https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1-768x575.png 768w, https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1-1536x1150.png 1536w, https:\/\/danaepanchaud.net\/wp-content\/uploads\/2022\/06\/Flora-repro-1.png 2028w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>I regularly write essays for monographs, thematic publications and exhibition catalogue. Recent publications include <a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/flora-photographica\/\">Flora Photographica<\/a>, authored with William Ewing, published by Thames &amp; Hudson in 2022, article for the Swiss Art Dictionary SIKART on <a href=\"https:\/\/recherche.sik-isea.ch\/sik:person-12786263\">Marion Tampon-Lajarriette<\/a> and <a href=\"https:\/\/recherche.sik-isea.ch\/fr\/sik:person-11576768:exp\/in\/sikart\/actor\/list?0.0.type=actor&amp;0.0.@id=sik:person-11576768&amp;0.type=actor&amp;1.0.type=actor&amp;1.0.@id=sik:person-11576768&amp;1.type=publication\">Leo Fabrizio<\/a>, and essays for the monographs of <a href=\"https:\/\/danaepanchaud.net\/index.php\/exhibitions\/indocile-and-tender\/\">Anne Morgenstern<\/a> (2022), <a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/an-aesthetics-of-disquiet-times\/\">Peter Hauser<\/a> (2020), <a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/les-enigmatiques-objets-du-recit\/\">David Gagnebin-de Bons<\/a> (2020), Brigitte Lustenberger (2023).<\/p>\n\n\n\n<p>Upcoming publications with my contributions include a monograph on Marianne Mari\u0107 (2024).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Selected books, essays, articles, lectures and panels<\/h4>\n\n\n\n<p>You can read excerpts from the texts under each link.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/flora-photographica\" target=\"_blank\" rel=\"noreferrer noopener\">Flora Photographica<\/a><\/strong><br>Book on the flower in contemporary photography featuring over 120 artists. Co-authored with William Ewing.<br><strong>2022 | Thames &amp; Hudson<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/indocile-and-tender\/\">Indocile and Tender<\/a><\/strong><br>Essay for Anne Morgenstern&#8217;s monograph <em>Macht Liebe<\/em><br><strong>2022 | Hartmann Books, Stuttgart<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/an-aesthetics-of-disquiet-times\/\">An Aesthetics of Disquiet Times<\/a><\/strong> <br>Essay for Peter Hauser&#8217;s monograph <em>Angst<\/em><br><strong>2020 | Sturm &amp; Drang Publishers<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/opening-up-new-spaces-photographic-investigations-of-suspended-architecture\/\">Opening up New Spaces: Photographic Investigations of Suspended Architecture<\/a><\/strong><br>Essay for the book and exhibition <em>Architecture Icons Revisited<\/em><br><strong>2022 | Pavillon le Corbusier \/ Museum f\u00fcr Gestaltung, Z\u00fcrich<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/recherche.sik-isea.ch\/sik:person-12786263\">Marion Tampon-Lajarriette<\/a><\/strong><br>Article for the Swiss Art Dictionary SIKART<br><strong>2022 | Swiss Institute for Art Research (SIK-ISEA), Zurich<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/recherche.sik-isea.ch\/fr\/sik:person-11576768:exp\/in\/sikart\/actor\/list?0.0.type=actor&amp;0.0.@id=sik:person-11576768&amp;0.type=actor&amp;1.0.type=actor&amp;1.0.@id=sik:person-11576768&amp;1.type=publication\">Leo Fabrizio<\/a><\/strong><br>Article for the Swiss Art Dictionary SIKART<br><strong>2024 | Swiss Institute for Art Research (SIK-ISEA), Zurich<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/various-artists.com\/taiyo-onorato-nico-krebs\/\"><strong>Imagining and Imaging the Future<\/strong><\/a><br>Interview with Taiyo Onorato &amp; Nico Krebs<br><strong>2022 |&nbsp;Various Artists, digital magazine<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/ce-qui-endure\">Ce qui endure<\/a><\/strong><br>Essay for Zo\u00e9 van der Haegen\u2019s monograph <em>Arbres-Troncs<\/em><br><strong>2021 | \u00c9ditions Jacques dans le vert, Marseille<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/curator-conversations-3\">Curator Conversations<\/a><\/strong><br>Interview for the book Curator Conversations, edited by Tim Clark.<br><strong>2021 |&nbsp;1000 Words Magazine, London<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/indecisive-promises-at-dawn\">Indecisive Promises at Dawn<\/a><\/strong><br>Essay for Zosia Prominska\u2019s monograph <em>Future Perfec<\/em>t<br><strong>2021 | Kehrer Verlag, Zurich<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/articles-and-essays\/les-enigmatiques-objets-du-recit\/\">Les \u00e9nigmatiques objets du r\u00e9cit<\/a><\/strong><br>Essay for David Gagnebin-de Bons&#8217;s monograph <em>L&#8217;index du fantographe<\/em><br><strong>2020 | Ch\u00e2teau de Gruy\u00e8res<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/medium.com\/@danaep\/a-museologists-take-on-the-defacing-and-unceremonious-removal-of-problematic-statues-2711a4b24bd9?source=friends_link&amp;sk=e22be166e54f9f588358db9da28bf53f\">A museologist&#8217;s take on the defacing and unceremonious removal of problematic statues<\/a><\/strong><br>Why these gestures matter and why we don&#8217;t have to fear an erasure of history from them.<br><strong>2020 | Self-published on Medium<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/larpentage-photographique-dolga-cafie\">L\u2019arpentage photographique d\u2019Olga Cafiero<\/a><\/strong><br>Essay for Olga Cafiero\u2019s monograph on the flora of Neuch\u00e2tel, <em>Flora Neocomensis<\/em><br><strong>2020 |&nbsp;Scheidegger &amp; Spiess<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/the-vulnerability-of-the-landscape\">The Vulnerability of the Landscape<\/a><\/strong><br>Essay for Ma\u0142gorzata Stankiewicz\u2019s book <em>Lassen<\/em><br><strong>2019 |&nbsp;Meta\/Books, Amsterdam<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/review-of-dos-imperial\">Aperture PhotoBook Review 016<\/a><\/strong><br>Review of <em>Dos Imperial<\/em> by Bruno Aeberli &amp; Pauline Piguet<br><strong>2019 |&nbsp;Aperture, New York<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/danaepanchaud.net\/index.php\/liconographie-publicitaire-horlogere\">L\u2019iconographie publicitaire horlog\u00e8re, entre corps h\u00e9ro\u00efques, anthropomorphisme et narration<\/a><\/strong><br>Essay for <em>L\u2019heure pour tous, une montre pour chacun. Un si\u00e8cle de publicit\u00e9 horlog\u00e8re<\/em><br><strong>2019 | MIH Mus\u00e9e international d\u2019horlogerie, La Chaux-de-Fonds<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/danaepanchaud.net\/index.php\/exhibitions-and-panels\/panels-the-nonante-neuf-talks\/\"><strong>The Nonante-Neuf Talks<\/strong><\/a><br>Four panel discussions commissionned by Pro Helvetia for the opening week of the festival, on the topics of expanded spaces for photography (Delphine Bedel, Cristina de Middel, Anne Golaz, Salvatore Vitale), picturing communities (Martin Gasser, Laura Henno, Lucas Olivet, Maude Oswald), writing on photography (Federica Chiocchetti, Tim Clark, Matthieu Gafsou, Nadine Wietlisbach), and mobilising archives (Christoph Draeger, Tatiana Pavliucenco, Mikl\u00f3s Klaus R\u00f3zsa, Furkan Temir, Michel Wlassikoff).<br><strong>Rencontres d&#8217;Arles, 2018<\/strong><\/p>\n\n\n\n<p><strong>Les suffragettes, strat\u00e8ges de l&#8217;image<\/strong><br>Article for the Swiss newspaper <em>Le Courrier<\/em><br><strong>2018 | <a href=\"https:\/\/lecourrier.ch\/2018\/05\/13\/les-suffragettes-strateges-de-limage\/\">Le Courrier<\/a><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I regularly write essays for monographs, thematic publications and exhibition catalogue. Recent publications include Flora Photographica, authored with William Ewing, published by Thames &amp; Hudson in 2022, article for the Swiss Art Dictionary SIKART on Marion Tampon-Lajarriette and Leo Fabrizio, and essays for the monographs of Anne Morgenstern (2022), Peter Hauser (2020), David Gagnebin-de Bons [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-622","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/comments?post=622"}],"version-history":[{"count":37,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/622\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/pages\/622\/revisions\/1567"}],"wp:attachment":[{"href":"https:\/\/danaepanchaud.net\/index.php\/wp-json\/wp\/v2\/media?parent=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}